The Director

     George Cukor, the legendary, gay, "woman's director" was signed to direct the picture. He had previously worked with Marilyn on "Let's Make Love" in 1960. He began to dislike her for many reasons. Firstly, for her "Method" acting style, because it required the use of Marilyn's acting coach, Paula Strasberg, who often ended up taking the directors place when the cameras were rolling. Secondly, George saw Marilyn as nothing more than  a pampered, overly-indulged, talentless, dumb-blond who'd recieved a lucky break. 


     He had begun to use amphetamine shots to control his life-long weight problem. The energy supplied to Cukor by the drugs often resulted in the director demanding countless and needless retakes of scenes until his actors were spent. More than anything, the drugs caused him to become disinterested in his work on the set of "Something's Got To Give". Performances suffered, and eventually Marilyn was to suffer the most.


     Here Cukor stands in the courtyard set of the Arden home. The set, down to the landscaping, plants, and colors, was a complete replica of Cukor's own home. (It is interesting to note that his home was well known for pool parties attended by young sailors.) Costing Fox hundreds of thousands of dollars, the set was left standing on Soundstage 14 for the shooting of "Give"'s final incarnation "Move Over Darling". Released in 1963, it starred Dorris Day, James Garner, and Polly Bergen.


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